Sunday’s Best
DISCUSSED: Lying to Potential Employers for Fun and Profit, Free Things, Christian Rock Music, Magazines That Cover Christian Rock Music (And Their Less Than Stringent Hiring Policies), “the Secret Handshake”, Almost Famous, Peeing Your Pants Onstage, Being “Real”
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When I was a sophomore in high school, I decided that I wanted to be a paid music journalist.
I knew I could write about anything, but writing about music, for me, was easy, because I was in love with it. It had begun its wholesale invasion of me, planting its flag in my brain. I wanted to be on the inside of this mechanism, so I started knocking.
I e-mailed several music publications and told them the same (false) story; that I was an accomplished freelance writer looking to “expand my territory” and make a little scratch at the same time, and that I would love to get the chance to write for their prestigious journal and so on and so forth[1]. And it actually worked.
A Christian rock magazine (one that I will not name, but I’m positive it’s not around anymore) hired me on a freelance basis, to review records and interview artists. And it was great. I got free CDs in the mail, and I got to meet numerous Christian ska bands[2], and it was amazing.
I was living the Impostor life – getting paid to be something that I really wasn’t.
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More on that in a little bit. Let’s talk about 2011. Let’s talk about it because sometimes I feel like I’m still that same Impostor, only in a different line of work.
I mean, I smile at people, even when I don’t feel like smiling, even when I’m having an awful day. I speak the language, know the secret handshakes. I talk about “the Spirit” and “bringing God glory” even though sometimes I’m hard-pressed to explain what those terms mean. I am really good at playing church.
I’m not sure I want to be good at playing church anymore.
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When I tell people about my past life as a renegade journalist, they ask if it was like Almost Famous. And it pains me to tell them (and you) that, no, this was nothing like Almost Famous. The kid in Almost Famous gets to hang out with Lester Bangs and canoodle with a pre-romcom Kate Hudson and even ride on tour buses with a band that sounds suspiciously like the Allman Brothers. I, on the other hand, got mailed packages of Christian punk rock and techno music and found myself with the unenviable task of churning out 100 words apiece on “why you would like this record”[3] and “what mainstream artist this band most resembles”.[4]
I “hung out” with precisely one band. They were perfectly nice, but also seemed somewhat nervous to be hanging out with me. I think they believed that I somehow had the power to potentially derail their career with just one article.[5]
It became clear to me that I was in over my head. I was 16 years old, pretending to be way older and “legitimate”. And pretending to be “legitimate” is tiring work. We see it in the world around us. We see it on TV, in popular music, and everywhere else. Having to act like we “belong here” wears us out. It makes us walk slower and smile through gritted teeth. We were not made for this.
So what starts out as a noble enterprise - wanting to make a mark on the world, desiring to use our talents and creative gifting in visible, exciting ways - ends with us banging our heads against the wall, trying to stretch 50 words into 150 words, laboring to find new, interesting synonyms for words that everyone uses.
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“The Church needs people who are passionate and alive,” the Recruiter tells us. And we respond by being Passionate and Alive. Even when we don’t feel like being Passionate and Alive.
I would lovingly challenge that. I would push deeper, and say that the Church needs Real People who feel Real Feelings and hurt Real Hurts. That is the only way we are going to communicate with a Real, Feeling, Hurting world. That is authenticity.
And I’m not sure what that looks like yet for me. I’m still exploring that. But I’ve come to grips with what it doesn’t look like.
It doesn’t mouth shallow platitudes to people who are hurting.
It doesn’t smile and wave when it’s privately falling apart on the inside.
And it admits that there are deficiencies, both in the world and in itself, but that there is a Force greater than all of that. And it’s a Force that has the power to legitimize things that have been counterfeit, and people that have, for too long, felt like Impostors. - DW
[1] It didn’t matter that I hadn’t been actually published up to this point, or that I was really 16
[2] Probably not the one you’re thinking of, though
[3] No negative reviews allowed in mid-90’s-era Christian music journalism. Can you see why I was so bad at it? Have you ever tried earnestly complimenting the music of Raze?
[4] This was another thing about alternative Christian music in general: the perceived importance of drawing a comparative line back to one’s secular counterpart, i.e. how Argyle Park can’t simply be an industrial act, but “the Christian Nine Inch Nails”
[5] Years later, this band’s lead singer would pee his pants on stage as a joke



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